- Provenance
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To 1965
J. T. Tai & Co., New York, NY [1]From 1965 1987
Arthur M. Sackler (1913-1987), New York, New York, purchased from J. T. Tai & Co., New York, NY [2]From 1987 to 1996
Estate of Arthur M. Sackler [3]From 1996 to 1997
Else Jorgensen Sackler (1913-2000), by inheritance from the Estate of Arthur M. Sackler [4]1997
The Else Sackler Foundation, New York, New York, gift of Else Jorgensen Sackler [5]From 1997
Arthur M. Sackler Gallery, gift of the Else Sackler Foundation, New York, New York [6]Notes:
[1] See Provenance record from the Else Sackler Foundation faxed on March 31, 1997, copies in object file. J.T. Dealer No. YT-4861.
[2] See object file.
[3] See note 3.
[4] Else Sackler received the object from the Estate of Arthur M. Sackler in 1996. See Provenance record from the Else Sackler Foundation faxed on March 31, 1997, copy in object file.
[5] The object was gifted to the Else Sackler Foundation by Else Sackler in 1997. See Provenance record from the Else Sackler Foundation faxed on March 31, 1997, copy in object file.
[6] See Acquisition Consideration Form and the Deed of Gift, copies in object file.
- Previous Owner(s) and Custodian(s)
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The Else Sackler Foundation
The Arthur M. Sackler Collections Trust
Mrs. Else Sackler 1913-2000
Dr. Arthur M. Sackler 1913-1987
J.T. Tai & Co. established in 1950
- Description
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Large, ceramic figure of a stylized demon/animal, perched on top of a high pedestal. Animal-like body rests on its back haunches, with straight front legs freestanding. Large ears and horns rise up and out from the head, with one single horn coming out of the forehead. Flame-like spikes or protrusions rise from the shoulders, wings and back. With the exception of most of the head, most of the figure is covered with polychrome glazed, typical of the Tang dynasty, yellow, green, brown, and white.
- Label
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Fearsome composite creatures such as these are among the most admired objects from the Tang dynasty (618907). With grimacing human or bestial faces, wings, and flaming manes, these fantastic creatures were made as guardians for the tombs of princes and high-ranking nobles to ward off evil forces. The random patterns created by running glazes in cream, brown, and green, a dramatic effect deliberately exploited by Tang potters, further accentuate their energy and power.
- Published References
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- James T. Ulak. A Decade of Remarkable Growth: Acquisitions by the Freer and Sackler Galleries. vol. 166 no. 548 London, 2007. p. 40.
- Ancient Mortuary Traditions of China: Papers of Chinese Ceramic Funerary Sculptures. Honolulu. pp. 84-93.
- William Watson. Tang and Liao Ceramics. New York, 1984. pp. 205-210.
- Thomas Lawton, Thomas W. Lentz. Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery. vol. 1 Washington, 1998. pp. 228-231.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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CC0 - Creative Commons (CC0 1.0)
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-8029_18