- Provenance
- Provenance research underway.
- Label
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The motif of two long-tailed birds amid a lush array of flowers first gained popularity in lacquerware of the Yuan dynasty (1279–1368). This box exemplifies the almost sculptural treatment of this motif in the Yuan dynasty, when each element in a lacquer design was rendered in high-relief and kept spatially discrete from neighboring elements.
- Published References
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- Around Chigusa: Tea and The Arts of Sixteenth-Century Japan. Princeton, New Jersey. p. 48, fig. 5.
- Xi Mengcao. Haiwai guizhen teji: Zhongguo qiqi [Chinese Treasures Overseas, a special collection at the Arthur M. Sackler Gallery]. no. 71, July 1991. pp. 76-81.
- Lee Yu-kuan. Oriental Lacquer Art., 1st ed. New York. p. 162.
- et al. Asian Art in the Arthur M. Sackler Gallery: The Inaugural Gift. Washington, 1987. cat. 173, p. 264.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-5977_13