Between 1912-1924 to 1951
Excavated in Fustat, Cairo, Egypt during excavations sponsored by the Arab Museum of Art and led by Aly Bey Bahgat (1854-1924) 
Freer Gallery of Art, Study Collection, Richard Ettinghausen (1906-1979) purchased from the Museum of Islamic Art upon the instruction of John A. Pope (1906-1982) 
 See Study Collection catalogue card, copy in object file. See also note 15 of John Carswell, "China and Islam in the Maldive Islands" in "Transactions of the Oriental Ceramic Society," no. 41 (1977), 197 and emails exchanged between registrars of the Arthur M. Sackler Gallery and Professor Tasha Vorderstrasse, April 2017, copies in object file.
In Fustat, Cairo, Egypt excavations were conducted beginning in 1912 by the Arab Museum of Art (now Museum of Islamic Art). Aly Bey Bahgat, director of the Arab Museum of Art and an accomplished archaeologist who is often heralded as the "father of Islamic archaeology," led the excavations from 1912 to 1924. It's highly probable that the sherds in the Freer Study Collection were excavated under Aly Bey Bahgat's supervision.
 See letter from Richard Ettinghausen to John A. Pope, dated February 6, 1951, copy in object file. Richard Ettinghausen was a German born and educated scholar of Islamic history and art history. In 1944, he joined the Freer Gallery of Art as a curator of Islamic Art and became chief curator in 1961. He left the Freer in 1966, accepting a professorship at New York University, where he helped to develop the Hagop Kevorkian Center of Near Eastern Studies. During a 1951 research trip to Egypt, Ettinghausen purchased over 100 fragments from the Arab Museum of Art for the Freer Study Collection, on instructions from John A. Pope, the Assistant Director of the Freer Gallery of Art and steward of the museum's ceramic collection. The collection of Fustat sherds is the earliest acquisition of pottery in the Freer Gallery of Art Study Collection.
- Previous Owner(s) and Custodian(s)
Aly Bey Bahgat 1854-1924
Arab Museum of Art 1892-1951
Dr. John Alexander Pope 1906-1982
Richard Ettinghausen 1906-1979
Base of a dish or bowl.
Gray [stoneware--struck out] porcelain.
Deeply incised design which seems to include feathers and floral motifs. Perhaps a phoenix among flowers?
Foot rim glazed, base unglazed. Hole through rim made before glazing.
- Published References
- Hasebe Gakuji. Keynote Lecture III: Inter-Cultural Exchange Between the East and the West. no. 117 Tokyo, November 2001. p. 37, fig. 22.
- Idemitsu Museum of Arts. Toji no tozai koryu: Ejiputo, Fusutato iseki shutsudo no toji [The Inter-Influence of Ceramic Art in East and West]. Tokyo. p. 89, fig. 9.
- Jan Stuart. Guiding Luminaries Charles Lang Freer and John A. Pope: the Freer Gallery of Art's Chinese Ceramic Collection. vol. 85 London. p. 136, fig. 7D.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
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