Landscape: Red Cliff

Maker(s)
Artist: Ike Taiga 池大雅 (1723-1776)
Historical period(s)
Edo period, 18th century
Medium
Ink and color on paper
Dimensions
H x W: 213.5 x 71.3 cm (84 1/16 x 28 1/16 in)
Geography
Japan
Credit Line
Purchase — Charles Lang Freer Endowment
Collection
Freer Gallery of Art
Accession Number
F1964.11
On View Location
Currently not on view
Classification(s)
Painting
Type

Hanging scroll

Keywords
Edo period (1615 - 1868), Japan, kakemono, landscape
Provenance

To ?
Kawabata Yasunari (1899-1972). [1]

To 1964
Hollis and Mayuyama, Inc., New York. [2]

From 1964
Freer Gallery of Art, purchased from Hollis and Mayuyama, Inc., New York. [3]

Notes:

[1] Curatorial remark 2 in the object record. See also copy of invoice from Oct 9, 1964 in the object folder.

[2] Freer Gallery of Art Purchase List after 1920 file, Collections Management Office.

[3] See note 2.

Previous Owner(s) and Custodian(s)

Hollis and Mayuyama, Inc.
Yasunari Kawabata 1899-1972

Label

Ike Taiga, a native of Kyoto, studied Japanese painting before turning toward Chinese subjects and styles. Here, Taiga presents original interpretations of landscapes described by Chinese poets. At right, is the Yueyang tower, located on the Yangtzi River near Lake Dongting. The steep angle of Taiga’s vantage point heightens the viewer’s perception of the great river. At left, the subject is the “Red Cliff,” a site immortalized in poems composed in 1082 by the Song dynasty poet, Su Shi (Su Dongpo, 1037–1101). In Taiga’s painting, a boat passes swiftly below the steep cliff, reflecting the imagery of the poem: "We let our boat float along, sailing over the vast expanse, fascinated by the sensation that we were riding on air…Light and airy, it seemed that we had forsaken the world, and were flying unfettered through the air
like Immortals."

These paintings were once in the collection of Kawabata Yasunari (1899–1972), the first Japanese recipient of the Nobel Prize for literature.

(Translation by Cyril Drummond Le Gros Clark, The Prose Poetry of Su Tung-p’o, 1935.)

Published References
  • Zaigai Nihon no Shiho [Japanese Art: Selections from Western Collections]. 10 vols., Tokyo, 1979 - 1980. vol. 6: pp. 126-127, pls. 11-12.
  • Mayuyama Junkichi. Japanese Art in the West. Tokyo. pl. 280.
  • Kazuo Kurimoto. Ike Taiga sakuhin shu [Collection of Paintings by Ike Taiga]. Tokyo. pl. 224.2.
  • Dr. John Alexander Pope, Thomas Lawton, Harold P. Stern. The Freer Gallery of Art. 2 vols., Washington and Tokyo, 1971-1972. cat. 54, vol. 2: p. 169.
  • Masterpieces of Chinese and Japanese Art: Freer Gallery of Art handbook. Washington, 1976. p. 134.
Collection Area(s)
Japanese Art
Web Resources
Google Cultural Institute
SI Usage Statement

Usage Conditions Apply

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.

Related Objects