Qianlong Emperor, depicted as Manjusri, at the center of a mandala.A Descriptive and Illustrative Catalogue of Chinese Bronzes Acquired During the Administration of John Ellerton Lodge (Washington, DC: Smithsonian Institution, 1946).

Stanley K. Abe, A Freer Stela Reconsidered, Freer Gallery of Art Occasional Papers 3 (2002).

Stephen D. Allee, Song and Yuan Dynasty Painting and Calligraphy (Washington, DC: Smithsonian Institution, 2010).

James Cahill, Chinese Album Leaves in the Freer Gallery of Art (Washington, DC: Smithsonian Institution, 1961).

Joseph Chang and Qianshen Bai, In Pursuit of Heavenly Harmony: Paintings and Calligraphy by Bada Shanren from the Estate of Wang Fangyu and Sum Wai (Washington, DC: Smithsonian Institution, 2003).

Joseph Chang, Thomas Lawton, and Stephen D. Allee, Brushing the Past: Later Chinese Calligraphy from the Gift of Robert Hatfield Ellsworth (Washington, DC: Smithsonian Institution, 2000).

Richard Edwards, Li Ti, Freer Gallery of Art Occasional Papers 3, no. 3 (1967).

Eugene and Agnes E. Meyer Memorial Exhibition, Freer Gallery of Art (Washington, DC: Smithsonian Institution, 1971).

Wen Fong, The Lohans and a Bridge to Heaven, Freer Gallery of Art Occasional Papers 3, no. 1 (1958).

Rutherford John Gettens, The Freer Chinese Bronzes, 2 vols. (Washington, DC: Smithsonian Institution, 1967).

Rutherford J. Gettens, Roy S. Clarke, and W. T. Chase, Two Early Chinese Bronze Weapons with Meteoritic Iron Blades, Freer Gallery of Art Occasional Papers 4, no. 1 (1971).

Regina Krahl, ed., Shipwrecked: Tang Treasures and Monsoon Winds (Arthur M. Sackler Gallery, Smithsonian Institution, National Heritage Board of Singapore, and Singapore Tourism Board, 2010).

Thomas Lawton, Chinese Art of the Warring States Period: Change and Continuity, 480–222 B.C. (Washington, DC: Smithsonian Institution, 1982).

Thomas Lawton, Chinese Figure Painting (Washington, DC: Smithsonian Institution, 1973).

Masterpieces of Chinese and Japanese Art: Freer Gallery of Art Handbook (Washington, DC: Smithsonian Institution, 1976).

John Alexander Pope, Chinese Porcelains from the Ardebil Shrine (Washington, DC: Smithsonian Institution, 1956).

John Alexander Pope, Fourteenth-Century Blue-and-White: A Group of Chinese Porcelains in the Topkapu Sarayi Müzesi, Istanbul, Freer Gallery of Art Occasional Papers 2, no. 1 (1952).

Paul Singer, ed., New Perspectives on Chu Culture during the Eastern Zhou Period (Washington, DC: Smithsonian Institution, 1991).

Jan Stuart and Evelyn S. Rawski, Worshiping the Ancestors: Chinese Commemorative Portraits (Washington, DC, and Stanford: Smithsonian Institution and Stanford University Press, 2001).

A.G. Wenley, The Grand Empress Dowager Wên Ming and the Northern Wei Necropolis at Fang Shan, Freer Gallery of Art Occasional Papers 1, no. 1 (1947).