- Provenance
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To 1968
Antique Arts, Bombay, India. [1]From 1968 to 2001
Ralph Benkaim (1914-2001), Beverly Hills, California, purchased from Antique Arts, Bombay, India in June 1968. [2]From 2001 to 2018
Catherine Glynn Benkaim, Beverly Hills, California, by inheritance from Ralph Benkaim in 2001. [3]From 2018
Arthur M. Sackler Gallery, partial gift and purchase from Catherine Glynn Benkaim. [4]Notes:
[1] Ralph Benkaim purchased the painting in 1968 from Antique Arts, Bombay, several years before Indian paintings were classified as antiquities by the Indian government, according to his personal records via Catherine Glynn Benkaim.
[2] See note 1.
[3] See note 1.
[4] See Acquisition Justification Form, object file, Collections Management Office.
- Previous Owner(s) and Custodian(s)
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Antique Arts Indian
Ralph (1914-2001) and Catherine Benkaim
Catherine Glynn Benkaim
- Inscription(s)
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Recto: The names of the principal figures have been inscribed on the painting.
(Upper right, on the white wall of the thatched hut) Krishna, Balibhadra [another name for Balarama who is also called Bali and Balabhadra]
(Upper left, on the blue bolster behind the king’s knee) JarasandhaVerso: (top center) numerals 38 in takri
- Label
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Purkhu was the master of a large workshop in Kangra, a kingdom in the state that is today Himachal Pradesh, during the reign of a renowned patron of the arts, Maharaja Sansar Chand (r. 1775 - 1823). Purkhu and his workshop produced numerous portraits of Kangra's courtiers and several narrative series with oversize folios, including the Harivamsa.
This Harivamsa folio exemplifies Purkhu's brilliant coloring and his uncanny ability to create a magical landscape. It is as if the Himalayan peaks described in Sanskrit epic poetry have become real, with kinnaras (bird-headed figures) among celestial beauties and sages who dwell amid jewel-studded crags.
On the mountain, Krishna and Balarama sit beside a thatched hut and calmly gesture toward a swirling cloud of dust. At the center of the oncoming mass of soldiers, Jarasandha, the tyrannical king of Magadha, is shown largest in scale. Lest there be any confusion, his name is written in devanagari on the side of his golden chariot.
- Collection Area(s)
- South Asian and Himalayan Art
- CC0 - Creative Commons (CC0 1.0)
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This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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