- Provenance
- Provenance research underway.
- Label
-
In this work, artist Do-ho Suh explicitly addresses the concept of identity from a transnational and a Korean perspective by creating a visual oscillation between the individual and the larger social collective, represented by his high-school class. Suh is interested in exploring the tension "between the singular and the plural. In the Korean language there is no such distinction."
- Published References
-
- David Hogge, Carol Huh. Painting with Light: Photography at the Freer / Sackler. Washington, 2017. 64, 66, 51.
- Korean Art in the Freer and Sackler Galleries. Washington. no. 11.5, p. 192.
- Collection Area(s)
- Contemporary Art, Korean Art
- SI Usage Statement
-
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
-
CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
To Download
Chrome users: right click on icon, select "save link as..."
Internet Explorer users: right click on icon, select "save target as..."
Mozilla Firefox users: right click on icon, select "save link as..."
International Image Interoperability Framework
FS-7248_54