- Provenance
- Provenance research underway.
- Label
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In a scene of confrontation from a play loosely based on the intrigue surrounding the ascendancy of the Fujiwara family against the Soga family in the seventh century, the great actor Nakamura Utaemon III confronts Omiwa, played by Arashi Koroku IV (1783-1826), a leading onnagata in Osaka. Omiwa follows a thread attached to the clothing of the Fujiwara prince with whom she has fallen in love. After following the thread to Soga no Iruka's (?-645) palace, she flies into a jealous rage when she finds that the prince is engaged to marry Iruka's sister. Fujiwara no Kamatari's (614-669) retainer stops Omiwa and stabs her, explaining as she dies that her blood, that of a woman in a jealous rage, will help to empower his flute to break Iruka's power against his enemies. Here the doomed Omiwa holds the spool she believes is still attached to her beloved. This print by Hokushu, the leading designer of Osaka actor prints, is a good example of his half-length portraits of pairs of actors. Superb design and block engraving can be seen in details such as the hair.
- Published References
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- Ann Yonemura, et al. Masterful Illusions: Japanese Prints from the Anne van Biema Collection. Seattle and Washington. cat. 46, pp. 146-147.
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-7447_02