- Provenance
- Provenance research underway.
- Label
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Sheikh Muhammad Amir of Karraya (a suburb of Calcutta), the greatest of the Calcutta Company School painters, specialized in portraying the domestic lives of the British in India. Collected in albums, his paintings record prized possessions and testify to British efforts to recreate their customs in an unfamiliar land.
The renowned artist's most powerful paintings are those that depict horses and grooms. Although the subject is traditional--court painters had long produced images of favorite horses for Indian royalty--the accomplished shading and textures, accurate anatomy, and cast shadows evince Sheikh Muhammad Amir's mastery of the new style. Here, his subtle balance of emphatic silhouette with exquisite detail results in a refined image with an almost disturbing air of stillness.
- Published References
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- Christie's (London). Visions of India. London, October 5, 1999. lot 114, p. 83.
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court., 2nd ed. Washington and Ahmedabad, India, 2012. cat. 61, p. 191.
- Collection Area(s)
- South Asian and Himalayan Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-5410_10