- Provenance
- Provenance research underway.
- Label
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In ninth-century Iraq, potters began to explore the decorative potential of letters and words to embellish surfaces. The white bowl, inscribed with the work of Umar belongs to one of the earliest groups of signed ceramic vessels from the Islamic world.
- Published References
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- Louise Allison Cort, Massumeh Farhad, Ann C. Gunter. Asian Traditions in Clay: The Hauge Gifts. Washington, 2000. cat. 34, pp. 62, 88.
- Thomas Lawton, Thomas W. Lentz. Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery. vol. 1 Washington, 1998. pp. 134-137, fig. 1.
- Collection Area(s)
- Arts of the Islamic World
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-8187_30