- Provenance
- Provenance research underway.
- Label
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Huang Binhong was a major twentieth-century painter as well as a scholar of Chinese painting history. Huang based his art upon the study of ancient traditions, but also imbued his works with a level of bold spontaneity that influenced younger painters and helped to launch new directions in Chinese landscape painting.
In his early career, Huang often copied and reinterpreted early masterpieces as a method to study the technical craft of painting. In midcareer, he began to travel frequently and sketch scenery, learning to combine in his paintings direct observations of nature with models from the past. Ultimately Huang developed a style with strong, blunt brushwork, wet ink, and subtle color tonalities.
That effect is clear in this scroll, which Huang Binhong painted when he was eighty-seven or as he wrote in his inscription, during his "eighty-eighth year as an old man," bashiba sou. The painting is dated to the early spring, and the combination of flowers is a traditional arrangement for the Chinese New Year. This celebration usually corresponds with the month of February in the Western calendar and is a time for celebrating the renewal of spring.
- Published References
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- Thomas Lawton, Joseph Chang, Stephen Allee. Brushing the Past: Later Chinese Calligraphy from the Gift of Robert Haftield Ellsworth. Exh. cat. Washington. p. 125.
- Collection Area(s)
- Chinese Art
- Web Resources
- Whistler's Neighborhood
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-6145_12