- Provenance
- Provenance research underway.
- Label
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These two leaves are from an album of floral studies by Sun Kehong, a scholar-official who enjoyed painting as a leisure time pursuit. He was also known for designing an elegant garden-residence, which featured unusual stones and a collection of miniature trees and plants in pots. This pastime may have inspired these paintings. Miniature tree cultivation has been practiced in China since at least the eighth century and was exported to Japan, where it is known as bonsai.
Sun Kehong's style celebrates "plain brushwork" and intentional "naivete" associated with scholar-painters in the Ming dynasty (1368-1644). But the images also reveal details about the material culture of the period, including the detail of river-worn pebbles to anchor the orchid's roots, which are set in a "bulb bowl" of a characteristic shape that identifies it as a Jun-ware ceramic. The cloud-shaped rock with grass growing through a perforation reflects a favorite type of Ming painting. Scholars collected rocks and combined them with grass to reproduce the macrocosmic world on a small, comprehensible scale to encourage imaginative journeys within the garden walls.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-7368_39