- Provenance
- Provenance research underway.
- Label
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The archery skill of the Japanese mounted warrior was honed in the exercise of dog chasing (inu-o-mono). Warriors and their steeds formed the outer of two concentric circles. Dogs were released within the inner circle and shot at with round-headed, blunt arrows that caused no serious injury.
Since the late twelfth century, successful Japanese military strategists emphasized the importance of a well-trained cavalry over the more traditional use of massive infantry force. Dog chasing was especially popular in the fifteenth century, a time of increasing civil unrest. Interest in the games was renewed in the mid-seventeenth century, after the general pacification of the country under the rule of the Tokugawa shogunate.
During much of the Edo period (1615-1868) there were few calls to arms, and the dog-chasing game took on the ritual, festive quality depicted in these paintings.
- Published References
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- Keiko Kawamoto. Nihon byobue shusei. 18 vols., Tokyo, 1977-1982. vol. 12: pl. 72.
- Harold P. Stern. Ukiyo-e Painting: Freer Gallery of Art Fiftieth Anniversary Exhibition. Exh. cat. Washington and Baltimore, 1973. cat. 5, pp. 14-17.
- , vol. 11 Washington and Ann Arbor. pp. 27-38.
- Julia Murray. A Decade of Discovery: Selected Acquisitions 1970-1980. Exh. cat. Washington, 1979. cat. 51, p. 68.
- Unknown title. vol. 27 New York and Honolulu, 1973-1974. pp. 97-98, fig. 18.
- Morgan Pitelka. Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan. Cambridge, April 7, 2022. p. 189, fig. 6.2.
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
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