Hizen ware bottle in tea-whisk form

Bottle in Japanese tea-whisk form, on low foot rim with narrow neck and spreading collar; smooth pear-shaped body
Clay: white porcelain.
Glaze: transparent.
Decoration: overglaze enamel colors; stylized bands in red around neck collar; nature motifs including plum, pine and bamboo painted in red, yellow, blue and aubergine on body.

Historical period(s)
Edo period, 1650-1670
Medium
Porcelain with enamels over colorless glaze
Style
Arita ware, early enamel type
Dimensions
H x W: 25.1 x 15 cm (9 7/8 x 5 7/8 in)
Geography
Japan, Saga prefecture, Arita
Credit Line
Gift of Eugene and Agnes E. Meyer
Collection
Freer Gallery of Art
Accession Number
F1970.41
On View Location
Currently not on view
Classification(s)
Ceramic, Vessel
Type

Bottle

Keywords
Arita ware, early enamel type, Edo period (1615 - 1868), Japan, pine tree, porcelain, tea
Provenance

From at least 1967 to 1970
Eugene Meyer (1875-1959) and Agnes E. Meyer (1887-1970), Washington, DC and Mt. Kisco, NY, from at least 1967 [1]

From 1970
Freer Gallery of Art, gift of Eugene and Agnes E. Meyer on June 21, 1971 [2]

Notes:

[1] The vase was examined and stored for Agnes E. Meyer at the Freer Gallery in 1967, see W. T. Chase’s note, dated June 1967, in object file.

[2] Agnes E. Meyer expressed a wish of donating the vase to the Freer Gallery in a letter to John A. Pope, dated January 28, 1969. The vase was acquired from Agnes E. Meyer Estate, see Deed of Gift, dated May 31, 1971, copy in object file, where the object is listed as no. 4.

Previous Owner(s) and Custodian(s)

Eugene and Agnes E. Meyer (1875-1959) and (1887-1970)

Description

Bottle in Japanese tea-whisk form, on low foot rim with narrow neck and spreading collar; smooth pear-shaped body
Clay: white porcelain.
Glaze: transparent.
Decoration: overglaze enamel colors; stylized bands in red around neck collar; nature motifs including plum, pine and bamboo painted in red, yellow, blue and aubergine on body.

Label

Japanese porcelains with overglaze enamels of this type, derived from Chinese decorated porcelain of the first half of the seventeenth century, formerly were thought to have been made at the Kutani kilns in Ishikawa prefecture. Archaeological research has now demonstrated that they were made at the Arita kilns in Saga prefecture, the former Hizen province. This style of decoration represents the earliest phase of enamel decoration on Japanese porcelain. The principle motif on this bottle is the "three friends of winter—pine, plum, and bamboo."

Published References
  • Oriental Ceramics: The World's Great Collections. 12 vols., Tokyo. vol. 10, pl. 69.
  • Thomas Lawton. Eugene and Agnes E. Meyer Memorial Exhibition. Exh. cat. Washington, 1971. cat. 31, pp. 74-75.
  • Julia Murray. A Decade of Discovery: Selected Acquisitions 1970-1980. Exh. cat. Washington, 1979. cat. 73, p. 94.
Collection Area(s)
Japanese Art
Web Resources
Google Cultural Institute
SI Usage Statement

Usage Conditions Apply

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.