- Provenance
- Provenance research underway.
- Label
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A lone fisherman--perhaps a scholar-recluse--crouches on the riverbank heating his meal on a glowing portable brazier. Behind, he has moored his boat under the leafless, winter branches of a tree hung with vines. The poet and scholar Yang Xunji (1458-1546), a native of Suzhou in Jiangsu Province, ostensibly inscribed the following verse on the painting:
Misty hills, misty trees, and ever boundless sands;
In the blue and green, vast and vague, where is home?
Only the old fisherman understands what I truly mean;
Water, sky, empty, wide, beside the blooming reeds.
(Translation by Stephen D. Allee)
The nine-character inscription at upper right records that the artist Lü Xue (late 17th-early 18th century) saw the painting in 1701. At lower left, the signature of the Southern Song dynasty painter Ma Kui (active 1180-1220) is spurious.
- Published References
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- Thomas Lawton. Eugene and Agnes E. Meyer Memorial Exhibition. Exh. cat. Washington, 1971. cat. 27, pp. 60-61.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
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CC0 - Creative Commons (CC0 1.0)
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-7472_37