Tatars Playing Polo and Hunting

Maker(s)
Artist: Kanō Jinnojō 狩野甚之丞 (active 1610s -1640s)
Historical period(s)
Early Edo period, ca. 1610-1640
Medium
Ink and color on paper
Dimensions
H x W (each): 153 x 348 cm (60 1/4 x 137 in)
Geography
Japan
Credit Line
Purchase — Charles Lang Freer Endowment
Collection
Freer Gallery of Art
Accession Number
F1968.62-63
On View Location
Currently not on view
Classification(s)
Painting
Type

Screens (six-panel)

Keywords
Early Edo period (1615 - 1716), hunting, Japan, polo, sport
Provenance
Provenance research underway.
Label

"Tartar" is the term loosely applied to the nomadic peoples who once inhabited China's north and northwest borders. They overran the Chinese Northern Song (960-1127) empire early in the twelfth century.  Known as exceptionally skilled horsemen, they are often shown playing polo or hunting. Representations of Tartars by Chinese artists date to the thirteenth century. These images codified the nomads' distinictive features and customs and were copied by other artists during the Ming dynasty (1368-1644). Japanese painters were inspired by the Ming paintings but elaborated on the Chinese models by applying sumptuous color and decorative gold.

Equestrian Tartars became a particularly popular subject in late sixteenth- and early seventeenth-century Japan. Taste for the foreign and exotic, manifest as well by a demand for paintings of Iberian missionaries, merchants, and diplomats, may account for the sudden interest in the Tartar theme. Some suggest that the Japanese military incursions on the Korean peninsula in 1592 and 1597 may also have inspired the theme.

Published References
  • Zaigai hiho [(Japanese Paintings in Western Collections]. 3 vols., Tokyo. vol. 1: pt. I & II, pp. 34-35, pl. 20.
  • Keiko Kawamoto. Nihon byobue shusei. 18 vols., Tokyo, 1977-1982. vol. 4: p. 159.
  • untitled article in Bijutsu Kenkyu [Journal of Art Studies]. vol. 2, no. 147 Tokyo. pl. 9.
Collection Area(s)
Japanese Art
Web Resources
Google Cultural Institute
SI Usage Statement

Usage Conditions Apply

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.