- Provenance
- Provenance research underway.
- Label
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The subject matter of this painting traditionally has been thought to represent Khitan nomads bringing a tribute horse to China. Recent studies now indicate that, while all the figures are probably of Central Asian origin, their horses are a type of Mongolian pony. Archaeological discoveries point to the possibility of a cultural link between Manchuria and Central Asia and a closer relationship between the seminomadic Khitan in northeastern China and the Turkic Uigurs in the northwest. This Freer version is among several later copies of an original composition that dates to the twelfth century.
- Published References
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- Thomas Lawton. "画中人 上海书画出版社." Chinese Figure Painting. Shanghai, China. .
- Jeremy Tredinnick. An Illustrated History of Kazakhstan. .
- Thomas Lawton. Eugene and Agnes E. Meyer Memorial Exhibition. Exh. cat. Washington, 1971. cat. 22, pp. 44-47.
- Thomas Lawton. Chinese Figure Painting. Exh. cat. Washington, 1973. cat. 46, pp. 182-185.
- Suzuki Kei. Chugoku kaiga sogo zuroku [Comprehensive Illustrated Catalog of Chinese Painting]. 5 vols., Tokyo, 1982-1983. pp. 222-223.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-5925_11