- Provenance
- Provenance research underway.
- Published References
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- Suzuki Kei. Chugoku kaiga sogo zuroku [Comprehensive Illustrated Catalog of Chinese Painting]. 5 vols., Tokyo, 1982-1983. vol. 1: p. 219.
- Osvald Siren. Chinese Painting: Leading Masters and Principles. 7 vols., New York and London, 1956-1958. vol. IV and vol. VI: p. 126, pl. 139.
- Hou-mei Sung Ishida. Wang Fu and the Formation of the Wu School. 2 vols. Ann Arbor. fig. 59.
- Hai wai i chen [Chinese Art in Overseas Collections]. Taipei, 1985. vol. 1: cat. 105.
- James Cahill. Parting at the Shore: Chinese Paintings of the Early and Middle Ming Dynasty, 1368-1580., 1st ed. New York. pl. 27.
- Dr. John Alexander Pope, Thomas Lawton, Harold P. Stern. The Freer Gallery of Art. 2 vols., Washington and Tokyo, 1971-1972. cat. 66, vol. 1: p. 168.
- Richard Edwards. The Field of Stones: A Study of the Art of Shen Chou (1427-1509). Oriental Studies Series, no. 5 Washington, 1962. pp. 4-6, 9-10, 90, pl. 5 B.
- Chu Sheng-chai. Sheng-chai tu hua chi. Hong Kong. p. 18.
- Chiang Chao-shen. Wen Cheng-ming hsin i yu Ming chun yeh i hou chi Su-Chou hua tan. vol. V, Summer 1971. pp. 40, 42.
- Kathleen Yang. Through a Chinese Connoisseur's Eye: Private Notes of C.C. Wang. Beijing. p.340, fig.123.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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