- Provenance
- Provenance research underway.
- Label
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In this painting Jamshid, the great Iranian king and hero, is shown meditating on the brevity of life, a scene that may have come from a Bustan of the poet Sa'di, where it is often illustrated. Jamshid was a moral ideal for the rulers of Mughal India. In an inscription in the manuscript in this case, the emperor Akbar (reigned 1556-1605) is referred to as "that king of Jamshid-like glory."
The painter Abd as-Samad was born in Iran, but came to India with the emperor Humayun in 1555 and served as director of the imperial painting workshops under the emperor of Akbar.
- Published References
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- Masters of Indian Painting. Exh. cat. Zurich. vol. 1: pp. 97-110, fig. 10.
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court. Exh. cat. Washington, 1981. cat. 16d, pp. 26,73, 164-7.
- John Seyller. The Adventures of Hamza: Painting and Storytelling in Mughal India. Washington. cat. 17, p. 76.
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court., 2nd ed. Washington and Ahmedabad, India, 2012. cat. 20F, pp. 110-1.
- Dr. Esin Atil. The Brush of the Masters: Drawings from Iran and India. Exh. cat. Washington, 1978. cat. 65, pp. 110-111.
- Priscilla P. Soucek. Persian Artists in Mughal India: Influence and Transformations. vol. 4 Leiden. pp. 167-171, figs. 1, 3.
- Ali Anooshahr. The Mughal Empire from Jahangir to Shah Jahan: Art, Architecture, Politics, Law and Literature. Mumbai, India. p. 257, fig. 9.
- Collection Area(s)
- South Asian and Himalayan Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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CC0 - Creative Commons (CC0 1.0)
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-F1963.4_001