Maker(s)
Artist: Possibly by Muhammad Sharif
Historical period(s)
Mughal dynasty, Reign of Jahangir, ca. 1600
Movement
Mughal Court
School
Mughal School
Medium
Opaque watercolor, ink and gold on paper
Dimensions
H x W: 18.6 x 10.6 cm (7 5/16 x 4 3/16 in)
Geography
India, Uttar Pradesh state, Allahabad
Credit Line
Purchase — Charles Lang Freer Endowment
Collection
Freer Gallery of Art
Accession Number
F1946.17
On View Location
Currently not on view
Classification(s)
Album, Painting
Type

Album leaf with painting

Keywords
father, hunting, India, lion, Mughal dynasty (1526 - 1858), nasta'liq script, poems, Reign of Jahangir (1605 - 1627)
Provenance
Provenance research underway.
Label

Between 1600 and 1604, theMughal prince Salim (the future emperor Jahangir) established a court at Allahabad in defiance of his father, the emperor Akbar (reigned 1556–1604). Along with plotting against his father, Salim spent his time in Allahabad commissioning paintings and hunting. In this work, the prince, who can be identified by his jutting jaw and drooping mustache, rides a white steed. Intriguingly, in spite of Salim’s conflict with his father, the painter endowed the rider on the brown horse with Akbar’s profile and gave him the honor of the kill.

Published References
  • Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court., 2nd ed. Washington and Ahmedabad, India, 2012. cat. 46, p. 174.
  • Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court. Exh. cat. Washington, 1981. cat. 20, p. 193.
Collection Area(s)
South Asian and Himalayan Art
Web Resources
Google Cultural Institute
SI Usage Statement

Usage Conditions Apply

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.