- Provenance
- Provenance research underway.
- Label
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This nineteenth-century bird study, inscribed to artists of the seventeenth century, is intriguing in that it challenges the Western notion of a copy as not merely an inferior work but actually a forgery. Indian artists did not consider it inappropriate or deceitful to closely copy a fine painting, including even the original artist's signature. Rather, they looked upon it as a tribute to the earlier artist.
The Spotted Forktail is a Himalayan bird that lives near streams that run through densly forested ravines. Its black-and-white plumage provides camouflage among the rocks and water as it searches for insects. To produce this copy of a work by the noted seventeenth-century artist Abul Hasan, the artist has inverted a tracing of the original, thereby reversing the image. He has misattributed it to the other famed natural history painter, Mansur. An inner border of rhyming couplets and a second border of palmettes and flower heads separate the painting from its wide outer floral border.
- Published References
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- Sport in Art: Some Wonderful Birds. vol. 1, no. 9, October 11, 1954. p. 62.
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court. Exh. cat. Washington, 1981. p. 189, fig. 33.
- Collection Area(s)
- South Asian and Himalayan Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-6878_02