Vase with landscape and poem

Polychrome.
Vase: club shaped with short neck and everted lip.
Body: fine grained white porcelain.
Glaze: transparent, glossy.
Decoration: in colored enamels over glaze; a landscape scene, a poem of 28 characters, three simulated seals; mark of the Qianlong period in six seal characters in underglaze blue on base.

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Historical period(s)
Qing dynasty, Qianlong reign mark and period, 1736-1795
Medium
Porcelain with cobalt pigment under clear, colorless glaze, enamels over glaze
Style
Jingdezhen ware
Dimensions
H x Diam: 24.4 x 13.3 cm (9 5/8 x 5 1/4 in)
Geography
China, Jiangxi province, Jingdezhen
Credit Line
Purchase — Charles Lang Freer Endowment
Collection
Freer Gallery of Art Collection
Accession Number
F1938.10a-b
On View Location
Currently not on view
Classification(s)
Ceramic, Vessel
Type

Vase

Keywords
China, cobalt pigment, inscription, Jingdezhen ware, landscape, porcelain, Qianlong reign (1736 - 1796), Qing dynasty (1644 - 1911), standard script, yangcai
Provenance

To 1938
Tonying and Company, New York. [1]

From 1938
Freer Gallery of Art, purchased from Tonying and Company, New York. [2]

Notes:

[1] Curatorial Remark 1 in the object record.

[2] See note 1.

Previous Owner(s) and Custodian(s)

Tonying and Company established 1902

Description

Polychrome.
Vase: club shaped with short neck and everted lip.
Body: fine grained white porcelain.
Glaze: transparent, glossy.
Decoration: in colored enamels over glaze; a landscape scene, a poem of 28 characters, three simulated seals; mark of the Qianlong period in six seal characters in underglaze blue on base.

Marking(s)

Mark of the Qianlong period in six seal characters in underglaze blue on base.

Label

The landscape scene with a poetic inscription that wraps around the vase resembles an unfurled literati handscroll painting; the verse mentions a figure gazing at the mist that floats over a 'glassy expanse of emerald water." More so than scroll painters, who often favored ink brushwork, artists painting on ceramics tended to emphasize coloristic effects. The calligraphy on this vase is written in standard script, distinct brushstrokes within each character; moreover, each word looks as if it were written inside an imaginary square grid. Most of the poems decorating imperial porcelains are executed in a more cursive style of calligraphy. Some scholars wonder, therefore, if this vase is an early twentieth-century copy of a porcelain from the Qianlong period.

Published References
  • Yang Enlin. Chinesische Porzellanmalerei im 17. und 18. Jahrhundert. Munich. ill. 10.
  • Archibald Gibson Wenley, Dr. John Alexander Pope. China. War Background Study, no. 20 Washington. pl. 25.
  • Oriental Ceramics: The World's Great Collections. 12 vols., Tokyo. vol. 10, pl. 40.
  • Geng Baochang. Ming Qing ci qi jian ding. Beijing. fig. 481.
  • Warren E. Cox. The Book of Pottery and Porcelain. 2 vols., New York. vol. 2: p. 594, pl. 167.
  • Grace Dunham Guest, Archibald Gibson Wenley. Annotated Outlines of the History of Chinese Arts. Washington, 1949. p. 10.
Collection Area(s)
Chinese Art
Web Resources
Google Cultural Institute
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