- Provenance
-
To 1932
C. T. Loo & Company, New York. [1]From 1932
Freer Gallery of Art, purchased from C. T. Loo & Company, New York. [2]Notes:
[1] Curatorial Remark 1 in the object record.
[2] See note 1.
- Previous Owner(s) and Custodian(s)
-
C.T. Loo & Company 1914-1948
- Published References
-
- James J. Lally. Arts of Asia Fiftieth Anniversary Featuring Fifty Favorite Objects. Vol. 50, No. 1 Wanchai, Hong Kong, January - February 2020. pg. 80.
- Sueji Umehara. Kanan anyo to kinson no kobo: The ancient tombs at Chin ts'un and Anyang in Honan province. vol. 47, no. 9 Tokyo. pl. 2, no. 4.
- Zusetsu sekai bunkashi taikei [Cultural History of the World]. 27 vols., Tokyo, 1958-1961. Vol. 15: p. 141.
- William Charles White. Tombs of Old Lo-yang: A Record of the Construction of a Group of Royal Tombs at Chin-ts'un, Honan, Probably Dating 550 B.C., 1st ed. Shanghai. pl. 3, fig. 002.
- William Watson. The Art of Dynastic China. New York, 1981. ill. 248.
- Benjamin Rowland, Laurence Sickman, H. G. Henderson, Robert Treat Paine, Richard Ettinghausen, Eric Schroeder. The University Prints. Oriental Art Series O 4 vols. Newton, Massachusetts, 1938-1941. Section 2: Early Chinese Art, pl. 114.
- Sueji Umehara. Shina kokogaku ronko [Studies in Chinese Archaeology]. Showa 13 Tokyo, 1938-1940. pl. 85, no. 4.
- Sueji Umehara. Rakuyo kinson kobo shuei [Objects from the Ancient Tombs at Chin Ts'un, Lo-yang]. Kyoto. pl. 51.
- Sueji Umehara. Shina kodo seikwa [Selected Relics of Ancient Chinese Bronzes from Collections in Europe and Asia]. 3 vols., Osaka. vol. 1: pl. 51.
- Sekai kokogaku taikei [Archaeology of the World]. 16 vols., Tokyo, 1958-1962. vol. 6 (1958): pl. 256.
- Robert Dale Jacobsen. Inlaid Bronzes of Pre-Imperial China: A Classical Tradition and Its Later Revivals. 2 vols. Ann Arbor. pl. 421.
- Dr. John Alexander Pope, Thomas Lawton, Harold P. Stern. The Freer Gallery of Art. 2 vols., Washington and Tokyo, 1971-1972. cat. 13, vol. 1: p. 154.
- Masterpieces of Chinese and Japanese Art: Freer Gallery of Art handbook. Washington, 1976. pp. 19.
- Sherman Lee. A History of Far Eastern Art. Englewood Cliffs, New Jersey, 1964. p. 51, pl. 3.
- Rene Grousset. Chinese Art and Culture. New York. p. 56.
- Thomas Lawton. Chinese Art of the Warring States Period: Change and Continuity, 480-222 B.C. Washington, 1982-1983. cat. 25, p. 64.
- Compiled by the staff of the Freer Gallery of Art. A Descriptive and Illustrative Catalogue of Chinese Bronzes: Acquired During the Administration of John Ellerton Lodge. Oriental Studies Series, no. 3 Washington, 1946. p.86, pl. 41.
- William Willetts. Foundations of Chinese Art from Neolithic Pottery to Modern Architecture. New York, 1965. p. 119.
- Alfred Salmony. Der Wagenrechte Stangenabschluss an der Nordchinesischen Grenze und in China. vol. 6 Prague. pp. 131-135.
- Gilded Metals: History, Technology and Conservation. London. p. 149, fig. 8.4.
- Report from America. vol. 28, no. 4, Winter 1982-1983. pp. 384-386.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- CC0 - Creative Commons (CC0 1.0)
-
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
-
CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
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