Covered box with design of paired phoenixes

Historical period(s)
Southern Song dynasty, 12th-13th century
Medium
Porcelain with transparent pale-blue (qingbai) glaze
Style
Qingbai ware
Dimensions
H x Diam (overall): 3.7 x 9.5 cm (1 7/16 x 3 3/4 in)
Geography
China, Jiangxi province, Jingdezhen
Credit Line
Purchase — Charles Lang Freer Endowment
Collection
Freer Gallery of Art Collection
Accession Number
F1929.14a-b
On View Location
Currently not on view
Classification(s)
Ceramic, Container
Type

Box

Keywords
China, phoenix, porcelain, Qingbai ware, Song dynasty (960 - 1279), Southern Song dynasty (1127 - 1279)
Provenance

To 1929
Yamanaka & Co., Washington, DC [1]

From 1929
Freer Gallery of Art, purchased from Yamanaka & Co., Washington, DC in April 1929 [2]

Notes:

[1] Curatorial Remark 1 in the object record.

[2] See note 1.

Previous Owner(s) and Custodian(s)

Yamanaka and Co. 1917-1965

Label

During the twelfth and thirteenth centuries, kilns at Jingdezhen produced large quantities of covered boxes for sale in China and Southeast Asia. The boxes, which functioned as cosmetic containers, usually bear a molded bird or floral design.  The lid of this box is decorated with a relief design of two phoenixes flying toward each other. Their heads nearly touch at the center of the box and their resplendent, curled tail feathers spread out along the rim of the lid.  A pair of phoenixes is a common marriage symbol, and boxes like this may have been used as wedding gifts.

Published References
  • Oriental Ceramics: The World's Great Collections. 12 vols., Tokyo. vol. 10, pl. 49.
Collection Area(s)
Chinese Art
Web Resources
Google Cultural Institute
SI Usage Statement

Usage Conditions Apply

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.