- Provenance
- Provenance research underway.
- Description
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Ceremonial vessel of the type "jia." Smooth, dark green patina. Tip of one leg broken off. Inscription of one character inside bottom.
- Inscription(s)
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Inscribed on the bottom of the interior, Wu 戊 (“[Ancestor] Wu”).
- Label
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Faulty molding or casting occasionally resulted in containers whose walls are too thin or legs are incomplete, as happened in this tall container.
- Published References
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- Chin wen tsung chi. Taipei. vol. 6: p. 2383.
- Shang Chou chin wen shi ch'eng. Multi-volume, Taipei. no. 4612.
- Sueji Umehara. Shina kodo seikwa [Selected Relics of Ancient Chinese Bronzes from Collections in Europe and Asia]. 3 vols., Osaka. vol. 1: pl. 66.
- Sueji Umehara. On the Shapes of the Bronze Vessels of Ancient China: An Archaeological Study. Toho Bunka Gakuin kyoto kenkyujo kenkyu hohoku, vol.15 Kyoto. pl. 28, no. 3.
- Sueji Umehara. Amerika no hakubutsukan ni okeru Shina no kobijutsu [Ancient Chinese Art in North American Museums]. no. 16/17, June 1930. pl. 36.
- Osvald Siren. A History of Early Chinese Art. 4 vols., London, 1929-1930. vol. 1, pl. 40.
- Mary Augusta Nourse. The Four Hundred Million: A Short Story of the Chinese., 1st ed. Indianapolis and New York. opp. p. 483.
- Hugo Munsterberg. A Short History of Chinese Art. New York, 1949. pl. 4.
- Chen Mengjia. Yin Zhou qing tong qi fen lei tu lu [Yin-Chou ch'ing t'ung ch'i fen lei t'u lu]. 2 vols., Dongjing. vol. 2: A 304.
- Grace Dunham Guest, Archibald Gibson Wenley. Annotated Outlines of the History of Chinese Arts. Washington, 1949. p. 1.
- Katheryn M. Linduff. The Incidence of Lead in Late Shang and Early Chou Ritual Vessels. vol. 19, no. 3 Philadelphia, Spring 1977. pp. 7-16, fig. 6.
- Dagny Carter. Four Thousand Years of China's Art. New York. p. 25b.
- Compiled by the staff of the Freer Gallery of Art. A Descriptive and Illustrative Catalogue of Chinese Bronzes: Acquired During the Administration of John Ellerton Lodge. Oriental Studies Series, no. 3 Washington, 1946. p. 25, pl. 4.
- Sueji Umehara. Etude archaeologique sur le Pien-chin, ou serie de bronzes avec une table pour l'usage rituel dans le Chine antique. Memoire de Toho-bunka gakuin Kyoto Kenkyusho, vol. 2 Kyoto. p. 26, fig. 6.
- Frank Forest Bunker. China and Japan. Philadelphia. p. 33.
- Studies of the Bronze Chia-Vessel Excavated from Hsiao Tu'n & Hou Chia Chuang: Its Casting Process and Decorative Patterns. Archaeologia Sinica. New series, no. 3 Nanking, Taiwan. p. 55, pl. 4.
- Daisy Lion-Goldschmidt, Jean-Claude Moreau-Gobard. Chinese Art: Bronze, Jade, Sculpture, Ceramics. The Universe Library of Antique Art 4 vols., , 1st ed. London and New York. p. 55, pl. 18.
- Agnes E. Meyer. The Charles L. Freer Collection. vol. 12, no. 2 Brooklyn, August 1927. p. 66.
- Jerry H. Bentley, Herbert F. Ziegler. Traditions and Encounters: A Global Perspective on the Past., 5th ed. New York. p. 95.
- Dr. John Alexander Pope, Rutherford John Gettens, James Cahill, Noel Barnard. The Freer Chinese Bronzes. Oriental Studies Series, vol. 1, no. 7 Washington. cat. 20, p. 121.
- Keng Jung. Shang chou i ch'i t'ung k'ao: Researches in Ceremonial Vessels of the Shang and Chou Dynasties. Peiping. pp. 239, 283, pl. 453.
- Brian M. Fagan, Christopher R. DeCorse. In the Beginning: An Introduction to Archaeology. Upper Saddle River, New Jersey. p. 282, fig. 11.14.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
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International Image Interoperability Framework
FS-7423_44