Five-tier tube (cong 琮) with masks

Squared hollow cylinder of the type ts’ung [cong] 琮; tall form with wide projecting collar at both ends; irregularly bored leaving two deep ridges; mottled shades of medium green and some brown; partly covered with grayish incipient disintegration, more profuse in interior which also has rust stains; decoration: incised and channeled, grooves and corner ridges; surface worn smooth. (Breaks on collar.)

Acquired with an inscribed box, now lost.

Maker(s)
Artist: Liangzhu culture 良渚 (ca. 3300-ca. 2250 BCE)
Historical period(s)
Late Neolithic period, ca. 3300-2250 BCE
Medium
Jade (nephrite)
Dimensions
H x W x D: 17.6 × 7.7 × 7.6 cm (6 15/16 × 3 × 3 in) Diam (hole - top): 5.4 cm (2 1/8 in) Diam (hole - bottom): 4.9 cm (1 15/16 in)
Geography
China, Lake Tai region
Credit Line
Gift of Charles Lang Freer
Collection
Freer Gallery of Art
Accession Number
F1917.63
On View Location
Currently not on view
Classification(s)
Ceremonial Object, Jade
Type

Ceremonial object: cong

Keywords
China, Late Neolithic period (ca. 5000 - ca. 1700 BCE)
Provenance

To 1917
Li Wenqing (late 19th-early 20th century), Shanghai, to 1917 [1]

From 1917 to 1919
Charles Lang Freer (1854-1919), purchased from Li Wenqing, in New York, in 1917 [2]

From 1920
Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]

Notes:

[1] See Original Miscellaneous List, S.I. 1150, pg. 262, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. See also, Voucher No. 18, December 1916.

[2] See note 1.

[3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.

Previous Owner(s) and Custodian(s)

Charles Lang Freer 1854-1919
Li Wenqing (C.L. Freer source) ca. 1869-1931

Description

Squared hollow cylinder of the type ts’ung [cong] 琮; tall form with wide projecting collar at both ends; irregularly bored leaving two deep ridges; mottled shades of medium green and some brown; partly covered with grayish incipient disintegration, more profuse in interior which also has rust stains; decoration: incised and channeled, grooves and corner ridges; surface worn smooth. (Breaks on collar.)

Acquired with an inscribed box, now lost.

Published References
  • J. Keith Wilson, Jingmin Zhang. Jades for Life and Death. .
  • Geoffrey WIlls. Jade of the East., 1st ed. New York, 1972. fig. 16.
  • Julia Murray. Neolithic Chinese Jades in the Freer Gallery of Art. vol. 14, no. 11 Hong Kong, November 1983. p. 20.
  • Masterpieces of Chinese and Japanese Art: Freer Gallery of Art handbook. Washington, 1976. p. 30.
  • Frederick William Gookin. Catalogue of a Loan Exhibition of Ancient Chinese Paintings, Sculptures and Jade Objects from the Collection formed by Charles Lang Freer, and Given by Him to the Nation through the Smithsonian Institution, Exhibition November 15 to December 8, 1917. Exh. cat. Chicago, November 15 - December 8, 1917. no. 102, p. 46.
  • Elizabeth Childs-Johnson, Fang Gu. Yuqi shidai: Meiguo bowuguan cang Zhongguo zaoqi yuqi [The Jade Age: Early Chinese Jades in American Museums]. Beijing, 2009. p. 113.
Collection Area(s)
Chinese Art
Web Resources
Jades for Life and Death
Google Cultural Institute
CC0 - Creative Commons (CC0 1.0)

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