- Provenance
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To 1917
C.K. Wong, Shanghai, China, to 1917 [1]From 1917 to 1919
Charles Lang Freer (1854-1919), purchased from C.K. Wong in 1917 [2]From 1920
Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]Notes:
[1] See Original Kakemono and Makimono List, L. 1141, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
[2] See note 1.
[3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
- Previous Owner(s) and Custodian(s)
-
C. K. Wong (C.L. Freer source)
Charles Lang Freer 1854-1919
- Published References
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- Marcel Huber, Emile Guimet. La Legende de Koei Tseu Mou Chen: Peinture de Li-Long-Mien (1081). Annales du Musee Guimet, Bibliotheque d'Art, nouv. ser. Paris. .
- Yoshiho Yonezawa. Ri Shin hitsu Kishimo kyo hachi zukan ni tsuite. no. 921 Tokyo, December 1968. .
- Noel Peri. Hariti, la Mere de Demons. vol. 17, no. 3 Hanoi. pp. 1-102.
- Kobayashi Tai'ichiro. Shina ni okeru Karitei: sono shinko to sono zuzo to ni tsuite. vol. 2, no. 3, September 1938. pp. 1-48.
- Glen Dudbridge. The Hsi-yu chi: A Study of Antecedents to Sixteenth-century Chinese Novel. Cambridge studies in Chinese history, literature and institutions Cambridge and London. pp. 16-18.
- Ogawa Kanichi. Bukkyo bunkashi kenkyu. Kyoto. pp. 31-51.
- Augustus Wollaston Franks. On Some Chinese Rolls with Buddhist Legends and Representations. vol. 53 London. pp. 239-244.
- Pang-yen Chao. Chi-tzu-mu k'ao. vol. 2, no. 3, 1931. pp. 261-274.
- Alfred Charles Auguste Foucher. The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology
., rev. ed. London and Paris. pp. 271-291. - Edouard Chavannes. Review of La Legende de Koei tseu mou chen: Peinture de Li Long-mien (1081). series 1, vol. 5 Leiden. pp. 490-499.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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