Pitcher

Syria
Ayyubid period, late 12th-early 13th century

Pitcher, on a high spreading foot; curved handle.
Clay: soft, gray-white.
Glaze: greenish-white, crackled.
Decoration: painted in brown lustre and cobalt blue over glaze.

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Historical period(s)
Ayyubid period, 12th-13th century
Medium
Stone-paste painted under glaze and over glaze with luster
Dimensions
H x W: 19.5 x 13.2 cm (7 11/16 x 5 3/16 in)
Geography
Syria
Credit Line
Gift of Charles Lang Freer
Collection
Freer Gallery of Art
Accession Number
F1908.140
On View Location
Currently not on view
Classification(s)
Ceramic, Vessel
Type

Pitcher

Keywords
Ayyubid period (1171 - 1250), Syria
Provenance

To 1908
Vincenzo Marcopoli, Aleppo, Syria, to 1908 [1]

From 1908 to 1919
Charles Lang Freer (1854-1919), purchased from Vincenzo Marcopoli in 1908 [2]

From 1920
Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]

Notes:

[1] See Journal Voucher No. 2, December 1908, as well as Original Pottery List, L. 1794, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

[2] See note 1.

[3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.

Previous Owner(s) and Custodian(s)

Vincenzo Marcopoli (C.L. Freer source)
Charles Lang Freer 1854-1919

Description

Syria
Ayyubid period, late 12th-early 13th century

Pitcher, on a high spreading foot; curved handle.
Clay: soft, gray-white.
Glaze: greenish-white, crackled.
Decoration: painted in brown lustre and cobalt blue over glaze.

Published References
  • Oriental Ceramics: The World's Great Collections. 12 vols., Tokyo. vol. 10, pl. 305.
  • Ann C. Gunter. A Collector's Journey: Charles Lang Freer and Egypt. Washington and London, 2002. p. 33, fig. 2.5.
  • Dr. Esin Atil. Art of the Arab World. Exh. cat. Washington, 1975. cat. 35, p. 81.
  • Dr. Esin Atil. Ceramics from the World of Islam. Exh. cat. Washington, 1973. cat. 66, pp. 146-147.
Collection Area(s)
Arts of the Islamic World
Web Resources
The Story of the Beautiful
Google Cultural Institute
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