Round eaves-end tile in style of Todaiji

Historical period(s)
Meiji era, late 19th century
Medium
Unglazed earthenware
Dimensions
Diam: 32.9 cm (12 15/16 in)
Geography
Japan
Credit Line
Gift of Charles Lang Freer
Collection
Freer Gallery of Art
Accession Number
F1904.285
On View Location
Currently not on view
Classification(s)
Architectural Element, Ceramic
Type

Tile

Keywords
Japan, Meiji era (1868 - 1912)
Provenance

To 1904
Bunkio Matsuki (1867-1940), Boston, to 1904 [1]

From 1904 to 1919
Charles Lang Freer (1854-1919), purchased from Bunkio Matsuki in 1904 [2]

From 1920
Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]

Notes:

[1] Undated folder sheet note. See Original Pottery List, L. 1313, p. 289, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

[2] See note 1.

[3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.

Previous Owner(s) and Custodian(s)

Charles Lang Freer 1854-1919
Bunkio Matsuki (C.L. Freer source) 1867-1940

Label

Bearing the six Chinese characters for the name "Todaiji Daibutsuden" in six circles surrounding a central Sanskrit letter, this eaves-end tile imitates the type of roof tile made for the roof of the hall housing the main image at Todaiji in Nara in the eighth century. The tiles were replicated on several occasions when the temple underwent major reconstruction, and they were probably produced regularly to make minor repairs to the roof. Such tiles are reported to have been faked and marketed as antiques during the Meiji era.

Collection Area(s)
Japanese Art
Web Resources
Google Cultural Institute
SI Usage Statement

Usage Conditions Apply

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.