Two-panel screen depicting wrestlers

Historical period(s)
Edo period, 17th century
Medium
Color and ink on paper
Dimensions
H x W (overall): 170 x 178 cm (66 15/16 x 70 1/16 in)
Geography
Japan
Credit Line
Gift of Charles Lang Freer
Collection
Freer Gallery of Art
Accession Number
F1903.100
On View Location
Currently not on view
Classification(s)
Painting
Type

Screen (two-panel)

Keywords
Edo period (1615 - 1868), Japan, sport, ukiyo-e
Provenance

To 1903
Bunkio Matsuki (1867-1940), Boston, to 1903 [1]

From 1903 to 1919
Charles Lang Freer (1854-1919), purchased from Bunkio Matsuki in 1903 [2]

From 1920
Freer Gallery of Art, gift of Charles Lang Freer in 1920 [2]

Notes:

[1] See Original Screen List, L. 70, pg. 18, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

[2] See note 1.

[3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.

Previous Owner(s) and Custodian(s)

Charles Lang Freer 1854-1919
Bunkio Matsuki (C.L. Freer source) 1867-1940

Label

Pairs of wrestlers in a walled courtyard engage in practice bouts of sumo, the ancient Japanese form of wrestling that became a professional sport early in the Edo period (1615-1868), when this screen was painted. Still practiced today as Japan's most famous national sport, sumo has a history of some two thousand years, and formal matches retain many of the rituals established in ancient times. 
 
Observed from a slightly elevated building, wrestlers ranging from youths to mature contenders practice the holds, rushes, and throws that determine the winner in sumo matches. The objective in a match is to force the opponent to touch the ground or to push him outside the rope marking the boundary of the circular ring. A judge in the foreground carefully watches one match as a wrestler is about to be thrown to the ground. This screen provides a realistic view of sumo training in the seventeenth century, as young wrestlers drawn mainly from rural communities prepare for this rigorous sport.

Published References
  • Elisabeth West FitzHugh. A Pigment Census of Ukiyo-e Paintings in the Freer Gallery of Art. vol. 11 Washington and Ann Arbor, 1979. pp. 27-38.
  • Harold P. Stern. Ukiyo-e Painting: Freer Gallery of Art Fiftieth Anniversary Exhibition. Exh. cat. Washington and Baltimore, 1973. cat. 14, pp. 34-35.
Collection Area(s)
Japanese Art
Web Resources
Google Cultural Institute
CC0 - Creative Commons (CC0 1.0)

This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.