- Provenance
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Ikeda Seisuke (1839-1900), Kyoto [1]
To 1900
Bunkio Matsuki (1867-1940), Boston, to 1900 [2]From 1900 to 1919
Charles Lang Freer (1854-1919), purchased from Bunkio Matsuki in 1900 [3]From 1920
Freer Gallery of Art, gift of Charles Lang Freer in 1920 [4]Notes:
[1] See Curatorial Remark 1 in the object record. See also, Curatorial Remark
5, H.E. Buckman, 1964, which states that the Envelope File contained the following note: "Formerly in Ikeda Collection."[2] See Original Pottery List, L. 756, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
[3] See note 2.
[4] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
- Previous Owner(s) and Custodian(s)
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Ikeda Seisuke 1839-1900
Charles Lang Freer 1854-1919
Bunkio Matsuki (C.L. Freer source) 1867-1940
- Description
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Tea-ceremony water jar with matching cover (tomobuta mizusashi [JPN])
Clay: sonorous, gray-white; Raku type.
Glaze: mottled peach-red splashed with dark grayish-green, and thin gray. Red Raku glaze (red slip under clear lead glaze).
Mark: Raku, impressed on base.
- Inscription(s)
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Inscribed by Kakkakusai (1678-1730), sixth master of the Omote Senke tea school.
- Label
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This water jar is attributed by its box inscription to Raku Sonyu. Cousin of the renowned artists, Ogata Korin (1658-1716) and Ogata Korin (1663-1743), Sonyu was adopted into the Raku family while still an infant and became the fifth head of the workshop. This large, heavy jar reproduces the so-called potato shape (imogata) of certain unglazed jars brought from Southeast Asia in the 16th century and adopted for tea-ceremony use. This box is inscribed by Kakkakusai (1678-1730), sixth master of the Omote Senke tea school.
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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CC0 - Creative Commons (CC0 1.0)
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