산수화: 매화나무 아래의 인물

Historical period(s)
조선 시대 또는 명 왕조, 16세기-17세기 초엽
Medium
비단에 먹
Dimensions
높이 x 너비(회화): 103.2 × 54.8cm (40 5/8 × 21 9/16인치)
Geography
한국 또는 중국
Credit Line
Charles Lang Freer 기증품
Accession Number
F1907.143
On View Location
Currently not on view
Classification(s)
회화
Type

족자(판넬에 부착)

Keywords
나무, 매화, 명 왕조(1368-1644), 물, 산, 산수화, 조선 시대(1392-1910), 중국, 한국
Provenance

1907년 이전 일본의 신원 미상 소장가가 1907년까지 소장 [1]1907년에서 1919년 Charles Lang Freer(1854-1919)가 1907년에 일본에서 신원 미상의 소장가로부터 구입하여 소장 [2]1920년 이후 프리어미술관 소장, 1920년 Charles Lang Freer 기증 [3]각주:[1] 프리어새클러미술관 아카이브 소장 Original Kakemono and Makimono List, L. 546 참조.[2] 각주 1 참조. [3] Charles Lang Freer 기증 증서 원본은 1906년에 서명되었음. 기증품은 프리어미술관 완공 당시인 1920년에 수증함.

Previous Owner(s) and Custodian(s)

Charles Lang Freer(1854-1919)

Label

The theme of a scholar gazing into a mist-laden landscape reflects the influence of Chinese artists such as Ma Yuan and Hsia Kuei, who were active during the Southern Sung period  (1127-1279). However, the attenuated composition, the dramatic contrast of light and dark ink washes and the bold faceting of the mountain peaks are features more closely related to the conservative Che School traditions that developed during the Ming dynasty (1368-1644). The Korean artist intrepreted the earlier Chinese traditions as a suitable way to display his own technical ability.

Published References
  • Thomas Lawton Linda Merrill. Freer: a legacy of art. Washington and New York, 1993. p. 232, fig. 164.
  • Ann Yonemura. Korean Art in Western Collections, 5: Korean Art in the Freer Gallery of Art. vol. 4, no. 2 Los Angeles, June 1983. pp. 4-15, fig. 2, pl. 14.
  • "Selon les ecritures." Kim En Joong. France.
Collection Area(s)
Korean Art
Web Resources
Google Cultural Institute
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