소형 항아리, 차 용기로 사용됨

Historical period(s)
조선 시대, 17세기 전반
Medium
철화 자기, 금색 옻칠 수리, 상아 뚜껑
Dimensions
높이 x 너비: 6.9 x 8.8cm (2 11/16 x 3 7/16인치)
Geography
대한민국 경상남도
Credit Line
Charles Lang Freer 기증품
Accession Number
F1901.102a-b
On View Location
Currently not on view
Classification(s)
그릇, 도자기
Type

항아리

Keywords
분청사기, 옻칠 수리, 자기, 조선 시대(1392-1910), , 투명유, 한국
Provenance

1901년 이전 뉴욕주 뉴욕의 Rufus E. Moore가 1901년까지 소장 [1]1901년에서 1919년 Charles Lang Freer(1854-1919)가 1901년에 Rufus E. Moore로부터 구입하여 소장 [2]1920년 이후 프리어미술관 소장, 1920년 Charles Lang Freer 기증 [3]각주:[1] 프리어새클러미술관 아카이브 소장 Original Pottery List 참조.[2] 각주 1 참조.[3] Charles Lang Freer 기증 증서 원본은 1906년에 서명되었음. 기증품은 프리어미술관 완공 당시인 1920년에 수증함.

Previous Owner(s) and Custodian(s)

Charles Lang Freer(1854-1919)
Rufus E. Moore(1840-1918) (C.L. Freer 자료)

Label

This small jar with rounded body and wide mouth is a utilitarian shape commonly made at regional kilns in Korea. Such vessels became popular in Japan as tea-ceremony utensils, either as tea bowls or, in small sizes like this jar, as containers for powdered tea. (The ivory lid was made in Japan).

Published References
  • Oriental Ceramics (Toyo Toji Taikan): The World's Great Collections. 12 vols., Tokyo. pl. 258.
  • Korean Art in the Freer and Sackler Galleries. Washington, D.C. no. 4.16, p. 52.
Collection Area(s)
Korean Art
Web Resources
Korean Ceramics
Google Cultural Institute
SI Usage Statement

Usage Conditions Apply

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.