The seasons are frequent subjects of art, but the transitions between them can be difficult to capture. With spring formally becoming summer today, it’s an appropriate time to note the Japanese tradition of narrative paintings that portray seasonal shifts—and the work of a Japanese composer with a similar aim.
One of our Japanese screens from the Edo period (1615–1868), Flowers and a Brook, shows plants blooming in sequence along the shift from spring to summer (right to left). This technique is frequently employed in Japanese screen paintings to depict multiple seasons in a single image. In a musical parallel, Japanese composer Minoru Miki wrote his “Hanayagi” (The Greening) in 1976 as one movement in a larger work representing a year of changing seasons. According to the composer, this work for solo koto “sings in praise of the brilliant life-power of the seasons as they slowly shift from spring to early summer.”
You can listen to this gorgeous ten-minute piece on our concert podcast of koto virtuoso Reiko Kimura, recorded in the Meyer Auditorium in 1998, when she appeared here as part of the Music From Japan Festival (based in New York). Four years before this concert, Kimura joined the New York Philharmonic Orchestra for the premiere of Minoru Miki’s Symphony of Two Worlds at Lincoln Center. Skip to 39:38 and listen to the end to hear the sounds of seasonal change.
Michael Wilpers is the manager of performing arts at the Freer Gallery of Art and Arthur M. Sackler Gallery, the Smithsonian’s National Museum of Asian Art. He oversees the museum’s chamber music series, which focuses on Asian composers and music inspired by Asia, as well as other programs that explore genres from traditional Asian music to new music, jazz, and fusions. Many of these concerts are featured in podcasts on our website, where listeners can enjoy more than one hundred high-quality audio recordings. During the museum’s closure due to COVID-19, he developed our Look & Listen series, which brings together top performers and curators to explore the intersections of art and music. He also produces concerts with studio-quality video recordings made especially for the museum. Wilpers received his master’s in music from the University of Maryland and was formerly the president of the Mid-Atlantic Chapter of the Society for Ethnomusicology. He has played a variety of music, including jazz and Indonesian gamelan, in ensembles such as a Ugandan xylophone quartet, the Washington Toho Koto Society, and the Thomas Circle Singers.